3,802 Royalty-Free Audio Tracks for "5 Steps In Equal Temperaments"

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

Major chord on C in 17 equal temperament (0,5,9).

*41-TET perfect fifth on C = G?. Equal-tempered: 224/41:1 = 702.44 cents. MIDI pitch bend: 100,64

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

I created this file myself (using Sibelius, Windows Sound Recorder, and Audacity) to illustrate the concept of interval class.

A raw recording of a home-made 5-string kantele played by an uneducated person. The first part is an adaptation of the traditional song Vaka vanha Väinämöinen. The other parts are some random ways in which the instrument can be played and may or may not correspond to traditional playing methods.

*Neutral seventh on C = B. Equal-tempered: 21050/1200=21/24:1 = 1050 cents. MIDI pitch bend: 0,80 Preceded by:

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

36-tet scale, or sixth-tone (1200/36 = 33.33 cents) scale, on C. MIDI pitch bend appears to match intervals.

*Beta scale step on C. (3 : 2)1/11 : 1 = (4 : 3)1/8 : 1 = 64 cents. MIDI pitch bend: 54,84 on PU

9-tet scale on C. MIDI pitch bend matches intervals.

Delta scale step on C. (16 : 15)1/8 : 1 = 13.97 cents. MIDI pitch bend: 61,68

13-tet scale on C. MIDI pitch bend correct for intervals.

23-tet scale on C. 1200 cents/23 = steps of 52.17 cents. MIDI pitch bend matches intervals.

*4 steps in 17 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 24/17:1 = 282.35 cents. MIDI pitch bend: 45,58

*6 steps in 17 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/17:1 = 423.53 cents. MIDI pitch bend: 68,71

*Gamma scale step on C. (3 : 2)1/20 : 1 = 35.1 cents.

*5 steps in 17 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 25/17:1 = 352.94 cents. MIDI pitch bend: 120,48

14-tet scale on C. MIDI pitch bend matches intervals.

Major chord on C in 17 equal temperament (0,6,10).

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

*Thirteen quarter tones (minor fifth) on C = G. Equal-tempered: 213/24:1 = 650 cents. MIDI pitch bend: 0,80 Preceded by:File:Eleven quarter tones on C.mid

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Just Intonation Major Chord (4:5:6)

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 09 Prelude No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 09 Prelude No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 10 Fugue No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 10 Fugue No. 5 in D major, BWV 850

Diatonic scale on C in 17 equal temperament. Steps: 0, 3, 6, 7, 10, 13, 16, 17. MIDI pitch bend matches intervals.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

Ives quarter tone fundamental chord.

Symphony No. 5, first movement, bars 195-227

Mahler Symphony No. 5, IV. Adagietto

Mahler Symphony No. 5, I. Trauermarsch

Mahler Symphony No. 5, V. Rondo Finale

Mahler Symphony No. 5, II. Stürmisch bewegt, mit größter Vehemenz

Label: Decca Records Cat. no.: K 1129 Order number: AR 8997 Matrix/StamperID: AR 8997-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 4th Movement: Allegro (Conclusion) Genre(s): Symphony Comments: -

Label: Decca Records Cat. no.: K 1128 Order number: AR 8995 Matrix/StamperID: AR 8995-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 3rd Movement: Allegro (Conclusion) / 4th Movement: Allegro Genre(s): Symphony Comments: -

20 steps in 72-et on C: 333.33.

*10 steps in 13-et on C = ??. Equal-tempered: 210/13:1 = 923.08 cents. MIDI pitch bend: 49,71

*2 steps in 13 equal temperament on C = ??. Equal-tempered: 22/13:1 = 184.62 cents. MIDI pitch bend: 9,59

*26 steps in 31-et on C = ?. Equal-tempered: 226/31:1 = 1006.45 cents. MIDI pitch bend: 8,66

*2 steps in 23 equal temperament on C = ??. Equal-tempered: 22/23:1 = 104.35 cents. MIDI pitch bend: 50,65

*10 steps in 11-et on C = ??. Equal-tempered: 210/11:1 = 1090.91 cents. MIDI pitch bend: 11,61

*2 steps in 11 equal temperament on C on C = ??. Equal-tempered: 22/11:1 = 218.18 cents. MIDI pitch bend: 104,69

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Just augmented second in just C scale: A♭ and B.